Page 2 Solus Dominus Gnosticism | The Female Form is The Highest Level of Natural Art

( continued ), spiritual deity, who is surrounded by aeons and is all wisdom and light, and the creator of the world, who is at best incompetent and at worst malevolent. Yet through everything, they maintained, a spark of transcendent knowledge, wisdom, and light persists within people who are in the know. The transcendent deity is the source of that enlightened life and light. The meaning of the creation drama, when properly understood, is that human beings—gnostics in particular—derive their knowledge and light from the transcendent god, but through the mean-spirited actions of the demiurge, the creator of the world, they have been confined within this world. (The platonic aspects of this imagery are apparent.) Humans in this world are imprisoned, asleep, drunken, fallen, ignorant. They need to find themselves—to be freed, awakened, made sober, raised, and enlightened. In other words, they need to return to gnosis. This distinction between a transcendent god and the creator of the world is all the more remarkable when it is recalled that many of the earliest gnostic thinkers who made such a distinction seem to have been Jews. What might have led them to such a conclusion that seems to fly in the face of Jewish monotheistic affirmations? Could it have been the experience of the political and social trauma of the time, culminating in the destruction of the Second Temple in 70 CE, which prompted serious reflection upon the problem of evil and stimulated the production of Jewish apocalyptic compositions? Could it have been the reflection of hellenistic Jewish thinkers who were schooled in Judaica and Greek philosophy and recognized the deep philosophical and theological issues surrounding the transcendence of the high god and the need for cosmic intermediaries to be involved with this world? Could it have been that among the creative Jewish minds, representative of the rich diversity of Judaism during the first centuries before and of the Common Era, who boldly addressed the real challenges of Jewish mysticism before Kabbalah, of the wisdom and Hokhmah of god, of world-wrenching apocalyptic, of theodicy and evil in the world, there were those who finally drew gnostic conclusions? We know the names of some of these creative Jewish people: John the baptizer, who initiated Jesus of Nazareth and preached apocalyptic ideas in the vicinity of Qumran, where Covenanters and Essenes practiced their separatist, ethical dualism; Simon Magus and Dositheos, who lived about the same time as Jesus and advocated their ideas in Samaria and beyond; Philo of Alexandria, a hellenistic Jewish thinker who provided Greek philosophical perspectives on the Hebrew Bible; Rabbi Elisha ben Abuya, nicknamed Aher, "Other," who dabbled in dualism; and there were more. We shall encounter some of these Jewish 4 INTRODUCTION thinkers in this volume.

                                 Rituals are much more than the ritual in itself